![]() The Mighty-15TH has a precision-folded steel chassis, with electronics mounted on a double-sided PCB that’s through-plated for durability. Before we talk tone, we have to mention the build. We’ve seen it in action with the company’s line of electric and acoustic guitars, and to see it here on an all-valve lunchbox head is most thrilling. Who says that a top-quality tube amplifier can’t be priced for beginners, students and any of us who are watching the bottom line? This, of course, is Harley Benton’s special power. A footswitch for the boost would’ve been perfect Read the full Blackstar HT Club 40 MkII review The HT Club 40 MkII 6L6 is so practical that it has no right to sound this good. Meanwhile, out back, there’s an emulated output for direct recording or sending your signal to PA speakers. This being a contemporary design and build, you’ve got an excellent effects loop with a level switch to integrate your ’board. The HT Club 40 MkII 6L6 has more than enough for hard rock and most metal styles – and if you’re really looking to split the atom, just throw a dirt box in front of it. Or, like a bad actor, you can find yourself somewhere between the two just adjust the Infinite Shape Feature dial according to how American or British you’d like your tone to be, and it’ll change the response of the gain channel’s three-band EQ accordingly. Moving over to the gain channel, you’re presented once more with a US/British accent. There’s plenty of headroom at 40W, but if you want to break up a little earlier, then the 4W setting is ideal. The clean channel has been tweaked and sounds exceptional, offering a transatlantic performance that allows you to toggle between glassy US cleans and British chime, and it makes an excellent pedal platform. Here, Blackstar has taken the two-channel format and expanded upon it, adding a very MESA-esque touch by applying voice switches on both channels. But a little tweaking reveals this jack of all trades to be a master for the specialists. ![]() It’s ideal for gigging players who might need a wide variety of tones – anyone who plays weddings or cover sets will love it. Once you take into account the comprehensive feature set, the price and the performance, you might find yourself agreeing with them. Some might argue that the second-generation HT Club 40 is the perfect guitar amplifier. Forget the price, the Mighty-15TH is an addictive, fun and musically inspiring amplifier. In a blindfolded taste test, this would hold its own against amps in the next price bracket and above, with an overdriven voice that’s seasoned beautifully by the EL84 hot sauce under the hood. It’s such a Harley Benton power move to use its efficiencies of scale (the brand is owned by German retail titan Thomann) to put together a piece of gear like the Harley Benton Mighty-15TH at such a low price. A triumph of modern amplifier design, it’s also eminently affordable. But it has enough gain on tap to please metal players, too, and is utterly convincing no matter how you like your sound. The Blackstar HT Club 40 MkII 6L6 will do a job for any electric guitar player. Some might pooh-pooh the tube amplifier as being a one-trick pony, but that’s baloney. Looking for a great Black Friday music deal? Check out our Black Friday guitar deals page for all the latest news and the biggest offers on everything from the best tube amps to the ultimate new six-string. We’ll also look at those tube amplifiers that acknowledge the limitations of time-honoured designs, and bring on board smart digital technology to compete with the rising tide of innovation that makes the amp modelling market so exciting. ![]() We’ll look at old-school combos, inspired by the tones that helped launch the electric guitar into the pop-cultural firmament. This list has amplifiers from both camps. ![]() Looking at the market today, it follows similar trends to those that we see in the design of electric guitars, delay pedals and reverbs – a sort of Janus-faced evolution in which classic models are revised and reissued, and all-new models augment present-day design paradigms with high-tech technology. If part of the argument for digital alternatives is that “they’re just like a real tube amplifier,” then that, in a sense, validates the tube amp design concept.įurthermore, tube amplifiers are evolving. Maybe there should be no mystery in this, considering that digital units often exhaust most of their DSP power in trying to recreate what the tube amplifier does as a matter of course. ![]()
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